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With its Berlin he delivered in the matter of Wagner at that time only Eight. Simon rattle's concert in Munich "die Walküre" in the context of mercury-Konzer

Simon rattle, Munich, die Walküre: To be determined all

With its Berlin he delivered in the matter of Wagner at that time only Eight. Simon rattle's concert in Munich "die Walküre" in the context of mercury-Konzer

Simon rattle, Munich, die Walküre: To be determined all

With its Berlin he delivered in the matter of Wagner at that time only Eight. Simon rattle's concert in Munich "die Walküre" in the context of mercury-Konzertabos sounds like a kind of liberation.

Munich - About a decade ago, as the grumbling was particularly loud. The man could just not with the romance, and not with Wagner, the alleged betrayal of the "German sound" of his Berlin Philharmonic (which sounds a little culture-Pegida), you just have to listen to Brahms, Bruckner, and the "Ring des Nibelungen". Simon Rattle has made it hard to solved had in the capital, of the he, but only professionally. His performances of the Wagner tetralogy in Aix, Salzburg and Berlin-CD-recording were not actually lace, also a singer.

And now, this liberation. Three years ago, at the concert "das Rheingold" with the Symphony orchestra of the Bavarian radio, has announced the. The "Valkyrie" is in the context of mercury-Konzertabos at least one – it Rattles is probably the best baton in Munich. Determined together as in the Hercules hall. The British Sir with a reading that exhausted different than usual, not in the enthusiastic Issue of Details, but a depth of reflection and the four hours to the monumental chamber music rounds. On the other hand, the BR-Symphony orchestra, have apparently decided for this evening to want the world's best Opera orchestra.

Not all the singers can know

Extreme swings of the match to Rattle. The foreplay over with its sharply-defined motor skills. Some moves later to the inaudibility threshold, other draws under the hall a architecture test. Magic moments happen. The brass section-strings-correspondence in front of Hunding's, the goosebumps-inducing, organ-like concoctions in Sieglinde's monologue, the written-out Blank in the "Todverkündigung", which brightens gradually, the rich, big bows at the end with the stresses of cold fire sparkle: rattle's "Valkyrie" is a delicate, hörter, more daring than the people of Berlin, also nice, if he doesn't want to let go of some, this desire of the musicians is the otherwise disparate Christian Thielemann pretty similar.

Not all singers can compete here, although you Rattle song-like. James Rutherford, Michael Volle stepped in, voice a Wotan without a Giga but nothing makes. Its concise, focused intonation, and text clarity, and the pithy, attractive Timbre distinguish him from many colleagues. Stuart Skelton sings Siegmund with dark heroes-ore-and-smooth, over-long phrases. Eva-Maria Westbroek (Sieglinde) in their intensity, no Scenery. By Iréne Theorin, you understand hardly a word, in Silent, it is better than in the steel Flickering in the Brno Hilden outbreaks. That it is related to three in the piece closely, you can hear to the like to scarce Intonation. Elisabeth Kulman is the Fricka as a salon snake, Eric Halvarson as Hunding still plenty of problems with potency. Cheers, Standing Ovations and anticipation: The CD comes soon.

Publish Date : 14 Şubat 2019 Perşembe 12:03

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