This production of the cult-potential: Axel brings Ranisch Prokofiev's bizarre fairy tale in Stuttgart as a computer game the "Orange Desert III" on the stage.
Stuttgart - Ten pages of content ("Pre-in a nutshell"): your Own fault, who fights through the program booklet. Especially as computer games, the little Seryozha in Live Video s before power on, behind the stage, Yes the best work according to the principle pressed the button and into the Virtual. Sergei Prokofiev's fairy tale "The love for three oranges" (Stuttgart, denied the "drive") one or two Turns further into the madness, Yes, it is. Director Axel Ranisch, the fire in 2017, the "scene"community, "Babbeldasch" and at the Bavarian state Opera, among other things, a recording of Haydn's "Orlando furioso" in the world of Opera and tested, found at the Neckar, his body and stomach piece: These "oranges" are a cult.
Ranisch puts a framework on the history of the cross-the king and the depressive, in the new translation of "hypochondrio tischer mucilage" deplorable state son, must learn the Laugh and for his Schadenfreude thanks to the evil Fairy Fata Morgana in three oranges in love. As a back-fall in the Çerez Politikası nineties is an animated computer game ("Orange Desert III") with coarsely pixelated, slightly fuzzy stage (Saskia request) – at the beginning of the Pentium Era, the boards came in the face of such imagery, eventually, to Glow. Eventually, à la "never-ending story tumbles" Serezha from his nursery itself, while at the end of the Fairy and her Camarilla in reality find out. Logic? Tale consumers know that There are more important things.
Computer evening without crash
Ranisch the Computer-do not crash given, speaks for him. Also that he had given a satirical Extra-bomblets detonate: The "evil chef", otherwise fond of demonic humour of the Buffo-bass, Matthew Anchel, a soft pink Teddy bear, Like the Prince – and as a dad of a computer Seryozha game turns out. Ninetta, in turn, for the Prince some of the oranges-content that was paid for the Liebesjob and to make matters worse, most pregnant. What they labor under Press-Panting gives birth? Still a Peach.
You can bring Prokofiev's two stünder on a seal of Carlo Gozzi's certainly a different way: as a social satire, including flash political criticism. Ranisch selects the playful way, and the cheering storm after the Premiere, it shows, in the right place. Unlike the proliferating Haydn in Munich, it does the Director well, if the score and the Libretto of concentrated, dense and still, the fantasy-Explosion-invite. The frequent change of scene and the clock synchronized Videos show: Ranisch of the Stuttgart Opera requires from the Team a lot. The playfulness, the soloists, and the magnificent choir members also proves: The Berlin must be a gifted Motivator. Elmar Gilbertsson as a tenor, strong, Prince, Daniel Kluge as the text concise Truffaldino-spring ball, Goran Jurić as in Would be reinforced king, John Kammler as alerter Pantalone and Carole Wilson as a bizarre, dramatic, Fairy, Esther Dierkes as lyrical and distinctive Ninetta, all the office colleagues are taking these deals on. Conductor, Alejo Pérez, the Stuttgart state orchestra, the score in neon colours to paint. Everything is so directly pointed to, so, so edgy, so bluntly, like it Prokofiev pre-hovering.
Smart, amiable production
Axel Ranisch a Director's dream, dancing through several levels at the same time. The two-dimensionality of Prokofiev's/ Gozzis characters is translated into a Computer-virtuality. The two-to three-fold framework for action makes everything amazingly conclusive. The evening is also so funny, so intelligent and so lovable, because Ranisch never presses, its soloists some of it can even play. Subsequent, you can count the ordered Chaos, the ideas can be plenty for Wagner's "Ring" and invite urgently to even visit. Hardly one who does not leave after the Premiere with a Smile the house – and with a by the intake staff offered Orange.
Date Of Update: 12 December 2018, 14:04
